Gerontion (by T.S. Eliot)

T.S. Eliot
T.S. Eliot

Gerontion
[from Poems, 1920]

        Thou hast nor youth nor age
        But as it were an after dinner sleep
        Dreaming of both.

Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.

                  I an old man,
A dull head among windy spaces.

Signs are taken for wonders. "We would see a sign":
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger

In depraved May, dogwood and chestnut, flowering Judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fraulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What's not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what's thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils.
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use it for your closer contact?

These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

                  Tenants of the house,
Thoughts of a dry brain in a dry season. 



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Comments

  • 4/11/2009 8:18 AM Comments from Facebook wrote:

    Sean Carey
      Sean Carey at 6:48am April 11
    Always a necessary voice even in the wilderness of 21th century trivia culture

    John Burroughs
      John Burroughs at 7:01am April 11
    I agree. Thank you, Sean!

    Christina M. Brooks
      Christina M. Brooks at 8:50am April 11
    that is not a real word... so tell me where the title comes from?

    John Burroughs
      John Burroughs at 9:02am April 11
    Eliot coined the word "Gerontion." It comes from the Greek word "geron," which means "old man." I should mention, too, that the three-line epigraph at the top comes from Act III of Shakespeare's Measure for Measure. At one point Eliot intended for "Gerontion" to serve as an introduction to his The Waste Land - but he apparently changed his mind.

    Christina M. Brooks
      Christina M. Brooks at 9:07am April 11
    Thanks.. that's helpful.

    John Burroughs
      John Burroughs at 9:16am April 11
    You're welcome.

    Connie Stadler
      Connie Stadler at 9:33am April 11
    Brilliant poem, brilliant choice, John!

    Helen Shepard
      Helen Shepard at 9:35am April 11
    Geriatrics in poetry as seen through Eliot's old age musings.
    An old man in an old man's house. Sean calls 21st century poetry a wilderness of trivia culture. I agree. Thanks for posting the classics John.

    John Burroughs
      John Burroughs at 10:01am April 11
    Thank you, Connie!

    John Burroughs
      John Burroughs at 10:04am April 11
    Thank you, Helen! I'm not certain, but I believe Sean was speaking of 21st century "trivia culture," not 21st century poetry. Then again I'm not fully caffeinated this morning. Please pass the coffee spoons.

    Helen Shepard
      Helen Shepard at 10:35am April 11
    Not all poetry of course is trivia in the culture of trivia but some of it probably is. I hope you get fully caffeinated before lundh. I do appreciate your scholarly knowledge and your poetry and music that I don't think is trivia. lol

    Reply to this
  • 4/12/2009 12:32 PM chris wrote:
    This is a beautiful poem... I've finally had time to read it through several times.. and can't quite express the feeling it stirs inside.

    Something a kin to that melancholy that comes when you're old enough to appreciate things but not young enough any more to do them.. I don't know if nostalgia quite covers it exactly... but it is the closest thing I can grasp off the top of my head.
    The imagery he uses is exceptional... to express very intricate feelings.

    Thanks... I'll probably come back and reread this again.. I liked it a lot.
    Reply to this
    1. 4/12/2009 7:05 PM Jesus Crisis wrote:
      Thank you, Chris!  This is why Eliot is one of my favorite poets.
      Reply to this
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